Vincent Amir Tahmasseb brings the Happy Flâneries series to a close with a recital in which four major composers engage in a refined dialogue.
Mozart’s Sonata No. 2 opens the evening with a spirit of clarity and youthful vigor, revealing the luminous grace of Viennese classicism. With Ballade No. 2, Chopin then unfolds a world of contrasts, where dreamy poetry gives way to dramatic tensions of striking intensity.

Schubert’s Sonata D 664, with its gentle, introspective quality, offers a moment of suspended time, bathed in a pastoral light, before Brahms’s Intermezzi, Op. 117, bring the program to a close with their profound meditation: three pieces of twilight tenderness, whispered like confidences.

An intimate, nuanced, and soulful concert, in which Vincent Amir Tahmasseb showcases the piano’s full expressive range in the elegant setting of Villa Douce.

Biography of Vincent Amir Tahmasseb

Drawn to music from a very young age, Vincent began his musical studies with the harp at the age of seven at the Reims Regional Conservatory. Five years later, he took up the piano at the same conservatory, where he received guidance from Jean-Louis Delahaut, Emmanuelle Moriat, and Jacqueline Bensimhon. A versatile and inquisitive instrumentalist, he took courses in chamber music, accompaniment, composition, and music analysis. At the same time, he studied conducting and orchestration at the Saint-Maur-des-Fossés Regional Conservatory under Olivier Kaspar. After earning his Diplômes d’Etudes Musicales in music theory, harp, piano, and composition, he was admitted in 2025 to the Conservatoire National Supérieur de Musique et de Danse de Paris to study harp in Isabelle Moretti’s class. Eager to continue an active and demanding practice of the piano, he returned that same year to the Conservatoire de Saint-Maur-des-Fossés to study piano in Fernando Rossano’s class and accompaniment in Jean-Louis Roblin’s class. Interested in multidisciplinary artistic projects, he participated in September 2024 in the Soirée Jeunes Talents organized by Christine Berg and the Ici et Maintenant Théâtre company. He also had the opportunity to accompany dancers, notably in the dance accompaniment class and during performances.

 

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